![]() Switch into draw mode and then just ‘paint’ through what you want by dragging across materials. ![]() Select time, then ctrl-UP (cmd-UP) / ctrl-DOWN (cmd-DOWN) to cycle between takes OR.Ableton built a number of ways to do this, but the quickest ways to add material from a take to the main take is to open up the Take Lanes and then, to select the best bits: The real power of Takes/Comping is the ability to choose from different takes or build composites quickly. ![]() It’s a great way to commit to an arrangement, and interestingly it lets you get less linear in moving from Session to Arrangement.Ĭomp it together. Then you can add alternate audio and MIDI materials directly in Arrangement View by slicing and copying clips, or drag in Clips from Session View. You can also right-click a track header in Arrangement and choose Insert Take Lane ( Shit-Alt-T / Shift-Opt-T) and make empty Take Lanes in any track. You don’t need to start a recording to set up takes. or create take lanes in an existing track. ( Ctrl-Shift-U / Cmd-Opt-U is the new keyboard shortcut.) Right-click a track and choose Show Take Lanes to see the alternate recording Takes. Most likely, you’ll set a loop range and enable looping before recording, so you quickly build up a few takes.Ĭheck out your takes. Each take now gets its own lane as you record to an armed audio or MIDI track, so the way to get started here is just to record something. Here’s briefly how to get going with Comps: Rather than being limited to having those different Clips in Session View and then a single, committed arrangement in Arrangement View, you can add a number of alternate Clips to each Take Lane in your Arrangement. But you might also use them as a way of building variation in clips – which is a little different than how you’re likely to approach this feature in other DAWs. So yeah, you might be using Comping and Takes as you shred your way through a MIDI keyboard or record a vocal a few times. And you can also use Take Lanes as empty slots that line up multiple Clips inside Arrangement View – giving your Arrangement some of the open space for different combinations of patterns in a way that previously was limited to Session View. This also means you could work the other direction, dragging clips back to Session View to trigger interactively. As you divide the full take into time ranges, those also become clips. The “comp” part involves making the best take out of multiple takes.Ĭomping is a standard feature of many DAWs, but Ableton have a unique twist: each take is a clip, and then those clips sit in Take Lanes inside each track. First, you capture multiple takes of the same recording, and second, you’re given the ability to composite those back into a preferred take. ![]() Comping and takesįor those of you who haven’t used this functionality elsewhere, “comping” is short for “composite” – and it effectively comprises two parts. That’s another reason to keep your old version around, though. Python 2 was deprecated across all OSes with an end to support at the start of 2020, so this is more an impact of what’s happening in the Python world than the Ableton one. This means some add-ons that use Python scripts will require an update. The Live installer also leaves the User Library alone, so you won’t lose any of those settings.Īlso worth noting, Live 11 is incompatible with Python 2. But this way you have an older version should you need it for unexpected compatibility issues. Just remember that file formats are forward-compatible but not backward-compatible – you can open up a Live 9 session in Live 11, but if you save it, you can’t reopen it in Live 9. Keep your old Live version!Ībleton allows you to run different versions of Live alongside one another. It sounds like something of interest to people wanting to nail a vocal recoring, for instance – but it can make just about everybody more productive in arrangement, too.īefore you begin: a recommendation. Let’s start at the most significant workflow change in Live 11 – comping, takes, and linked-track editing. It’s rather a one-stop starting point for beginning to make some music or explore the new tool.įor all the fun instruments and effects, it’s also worth noting that a lot of the tweaks to workflow can only come from Ableton Live – and that the Max for Live API changes are likely to make still more third-party modification possible. It’s not a review – I’m assuming you’ll reach those conclusions on your own. The basic idea here is to have field notes you can keep handy while you work in Live, so you can get to playing, jamming, editing, and arranging. But how do you actually dig into what’s new in Live 11 and start working? Here’s a deep guide to all the essentials. You’ve seen some feature lists – and this time Ableton are even running a 90-day free trial.
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